Tag Archive: madison square garden







Legendary rockers THE WHO and Elvis Costello & The Imposters will perform an intimate concert Thursday, February 28 atNew York City’s The Theater at Madison Square Garden to benefit Teen Cancer America and Memorial Sloan-Kettering Cancer Center. Teen Cancer America is igniting a movement around changing the way teens and young adults with cancer are treated and supported from the point of diagnosis.  Funds raised from the February 28 benefit concert will go towards helping hospitals develop units designed to give the very best chance of a positive outcome both physically and emotionally. In addition to state-of-the-art facilities to keep patients occupied during long stays in hospital, the units will strive to provide an environment where they can meet others in a similar situation, helping to support their transition between teen and adulthood. This represents the first-ever New York-area fundraiser THE WHO have performed for Teen Cancer AmericaRoger Daltreyand Pete Townshend are the driving force behind Teen Cancer America.  After more than a decade of working withTeenage Cancer Trust in the UK, they bring their passion for making a difference in the lives of teens and young adults with cancer to the United States.  This special show marks THE WHO’s final 2013 U.S. show (where they’ll perform their greatest hits). For details on THE WHO’s current “Quadrophenia & More” tour, go to  www.aeglive.com. Tickets and VIP packages for the February 28 fundraiser go on sale Saturday, February 2 at http://www.ticketmaster.com/event/1D004995B30D7942?did=tca201. Ticketmaster is happy to be a participant donor forTHE WHO’s February 28 show benefiting Teen Cancer America at  The Theater at Madison Square Garden. They are waiving convenience fees for fans purchasing VIP packages.





New Year’s Eve 2012 Concert Guide


Looking for an alternative to watching five hours of Ryan Seacrest while your Mom serves you tortilla chips and mild salsa with a glass of bubbly grape soda? There are plenty of great concerts scheduled for New Year’s Eve 2012, which we’ve highlighted for you below.


– Afrojack: Pier 94

– Amanda Palmer (covering Prince’s Purple Rain): Terminal 5

– Azealia Banks: Boom Boom Room

– Blonde Redhead and Beach Fossils: Irving Plaza

– The Disco Biscuits: Theatre at Madison Square Garden

– The Felice Brothers: Mercury Lounge

– Gov’t Mule: Beacon Theatre

– Holy Ghost!Midnight Magic, and The Juan MacLean: Brooklyn Bowl

– Jay-Z & Coldplay: Barclays Center

– Kid Congo and the K-Holes and DJ Jonathan Toubin: Home Sweet Home

– Matthew Dear: Le Bain

– Manitoba (of New York Dolls): Bowery Electric

– Merchandise: 285 Kent

– Nas: Radio City Music Hall

– Phish: Madison Square Garden

– Pretty Lights: Roseland Ballroom

– Psychic Ills: Saint Vitus

– Punch Brothers: Bowery Ballroom

– RJD2 and Com Truise: The Gramercy Theatre

– Titus Andronicus and Dapwell: Glasslands


– The Airborne Toxic Event: Metro

– Big Gigantic: Aragon

– Butch Walker: Bottom Lounge

– Chandeliers: The Hideout

– Charles Bradley: Lincoln Hall

– Hannibal Burress: Zanie’s Comedy Club

– The Hood Internet: Beauty Kitchen

– JC Brooks & the Uptown Sound: Mayne Stage

– Leftover Salmon and The Lee Boys: Vic Theater

– Local H: Beat Kitchen

– Los Lobos: City Winery

– Maps & Atlases: Schubas

– Mucca Pazza: Empty Bottle

– MUTEMATH: House of Blues

– Naked Raygun and The Dwarves: Cobra Lounge

– Orchard Lounge: Smart Bar

– Paradise Waits (Grateful Dead): Ace Bar

– Paul Oakenfold: The Castle

– Porter Robinson: Congress Theater

– Robert Randolph & Karl Denson: Park West

– Screeching Weasel: Reggie’s

– Tilly and the Wall: Subterranean

– Wanda Jackson: Double Door

– White Mystery: Logan Square Auditorium


– ASAP Rocky: House of Blues

– Cake: The Wiltern

– Daedelus and Tokimonsta: Secret

– The Henry Clay People: The Satellite

– Kendrick Lamar: The Observatory (Santa Ana)

– Rebelution: Hollywood Palladium

– Redd Kross and The Melvins: The Alexandria

– Sasha: Exchange L.A.

– ZeddNicky Romero: Club Nokia


– Bad Rabbits: Brighton Music Hall

– Deer Tick and Two Gallants: The Sinclair (Cambridge)

– Lee Fields & the Expressions: Jordan Hall

– The Magnetic Fields: Symphony Hall

– The Mighty Mighty Bosstones: House of Blues

– My Morning Jacket and Preservation Hall Jazz Band: Agganis Arena

– Soulive: Paradise Rock Club


– Buckethead: Great American Music Hall

– Dawes: The Independent

– Erykah Badu: Fox Theater (Oakland, CA)

– The Fresh & Onlys and Sonny and the Sunsets: The Chapel

– Furthur: Bill Graham Civic Auditorium

– Futuropolis (feat. Star SlingerHoly Other and LowRIDERz): 1015 Folsom

– Sea of Dreams NYE (Gogol Bordello, Shpongle and The Glitch Mob): Concourse Exhibition Center

– Nick Waterhouse: Bimbo’s 365 Club

– Primus: The Warfield

– Sea of Dreams (feat. Gogol BordelloShpongleThe Glitch Mob andTrentemøller): Concourse Exhibition Center

– Trombone Shorty & Orleans Avenue: The Fillmore

– Vetiver: Cafe du Nord


– Chase & Status: O2 Academy

– Four Tet: Fabric

 John Talabot: Corsica Studios

– Julio Bashmore: Troxy

– Marina and the Diamonds: Sanderson Hotel

– Simian Mobile Disco and Hercules and Love Affair Soundsystem: XOYO

– Tribes: The Water Rats



– DeVotchka: Bear Tooth Theatre


– Goodie Mob: Belly Up


– Cherub: Grand Hyatt

– Man or Astroman?: The Earl

– Umphrey’s McGee: The Tabernacle

Athens (GA)

– Kishi BashiYip Deceiver and Modern Skirts: Georgia Theatre

Atlantic City

– Jane’s Addiction: House of Blues

– Rev Run and DJ Ruckus: Mixx Nightclub at Borgata

– Tiësto: Revel Ovation Hall


– Black Joe Lewis & the Honeybears: Emo’s

– Grupo Fantasma: Beauty Ballroom

– Keys N Krates: Lamberts

– Neon Indian: The Mohawk

– Ringo DeathstarrMegafauna, and Japanther: Frontier Bar

– Willie Nelson and Iron & Wine: Moody Theater

Charlotte (NC)

– The Avett Brothers and Amos Lee: Greensboro Coliseum Complex (Greensboro, NC)

– Joker and Skream: The Fillmore

– Widespread Panic: Time Warner Cable Arena


 The Afghan Whigs: Bogart’s


– Cloud Nothings: Ohio City Masonic Temple


– Big Freedia: Club DaDa

– Lights All Night (feat. Ghostland ObservatoryDiploAxwellNero and 12th Planet): Fair Park

– Jonathan Tyler & The Northern Lights: Granada Theater


– Amon Tobin: City Hall Events Center

 The Black Angels: Bluebird Theater

– Chris Robinson Brotherhood: Cervantes’ Masterpiece Ballroom

– Decadence New Year’s Eve (feat. ATBMiM0SA, Zeds DeadWolfgang Gartner and Flosstradamus): Colorado Convention Center

– The Lumineers: Ogden Theatre

– STS9: The Fillmore


– SkrillexBoys NoizeFlosstradamus and Destructo: The Palace of Auburn Hills

– Zac Brown Band: Joe Louis Arena

Lake Tahoe

– SnowGlobe Music Festival (feat. ChromeoLaidback LukePolica andPoolside): Lake Tahoe Community College

Las Vegas

– Avicii: XS Nightclub at Encore

– Benny Benassi: Marquee Nightclub

– The Black Keys and Divine Fits: The Joint

– Mayer Hawthorne: The Chelsea at the Cosmopolitan

– Nicky Minaj: Pure Nightclub

– Red Hot Chili Peppers: Chelsea Ballroom

– Travis Barker: Rain

Manchester (UK)

– Simian Mobile DiscoFelix da HousecatBenoit & SergioTensnake, Annie Mac: The Warehouse Project


– Carl Cox: The Mansion

– Claude Von Stroke: Grand Central

– Kaskade: Amnesia

– Santigold: Delano


– Astronautalis: Triple Rock

Montclair (NJ)

– The Hold Steady and Lucero: The Wellmont Theatre


– Bassnectar and Two Fresh: Bridgestone Arena

– Keller WilliamsDel McCoury Band and The Travelin’ McCourys: Marathon Music Works

– Moon Taxi: 3rd & Lindsley

– Old Crow Medicine Show and Pokey LaFarge: Ryman Auditorium

– PUJOL: Fort Nashville

New Orleans

– Black Lips: One Eyed Jacks

– Galactic: Tipitina’s Uptown

– Gregg Allman: House of Blues

– The Soul Rebels: d.b.a.

– Toubab KreweHoney Island Swamp Band: Blue Nile


– Erykah Badu and The Coup: Fox Theater


– The Devil Makes Three: Theater of the Living Arts

– The War on Drugs and Purling Hiss: Johnny Brenda’s

Portland (OR)

– The Minus 5: Dour Fir Lounge

– Paper Diamond and Nero: Oregon Convention Center

– Typhoon: Mississippi Studios

San Diego

– DJ Z-Trip: Block 16

– Drop the Lime: Ivy Nightclub

– Little Hurricane: Lafayette Hotel And Suites

– Geezer (Weezer Tribute Band) and Red Not Chili Peppers (Tribute Band): The Ruby Room

– OMFG NYE (feat. Laidback LukeHardwellZedd and Dillon Francis): Valley View Casino Center


– Beats Antique: Paramount Theatre

– L.A. Riots: Foundation Nightclub

– Rusko: WaMu Theatre

– Supersuckers: Tractor Tavern


– Beach Day and Natural Child: Crowbar


– Machinedrum: Metropolis

 The Sadies: Horseshoe Tavern

– Young Empires: Lee’s Palace

Washington, DC

– Drive-By Truckers and North Mississippi Allstars: 9:30 Club

– The Roots: The Fillmore (Silver Spring, MD)

— articles taken from sam willett and alex young for consequenceofsound.net



Today is Eddie Vedder’s (born Edward Louis Severson III) 48th birthday!

Have a great birthday and a Merry Christmas Eddie.

Below clips from his concert through the years with Pearl Jam and his solo career.


The 12-12-12 concert might have been seen and heard all over the world, and the devastation might have hit New York and New Jersey hard, but Wednesday night’s concert in Madison Square Garden to raise money in aid of the victims of hurricane Sandy was Brit night. More specifically, it was Old Brit night. With a lineup of the Rolling Stones, the Who, Eric Clapton, Paul McCartney, Roger Waters and Chris Martin, all of whom came in to help the cause, the event was a reminder of the good old days of the special relationship between England and theUnited States.

The show opened with dramatic pictures of the hurricane’s winds, rain and waves attacking and drastically altering the landscape around New York City. It’s hard to remember it was only six weeks ago; the spectacle of it already seemed unreal.

It made sense that the opening act was New Jersey’s greatest star, Bruce Springsteen, who began with Land of Hope and Dreams as the camera panned forward over the mainly white, mainly middle-aged, affluent crowd on the stadium floor. Everyone was standing, but there was a general lack of focus as the concert began. Many audience members seemed to be chatting to each other rather than watching the stage.

“You probably can’t tell at home but they’ve definitely turned the speakers up to 11 tonight,” tweeted Springsteen as he performed.

He was right, we couldn’t tell. There were audio bugs throughout Springsteen’s half-hour set and when Bon Jovi came on stage to join him he was carrying a microphone that didn’t work and he could hardly be heard on Born to Run.

The Brits took over when Roger Waters strolled on stage for The Wall. Waters only performed Pink Floyd numbers, and the absence of his former partner Dave Gilmour was noted during guitar solos on Money and Comfortably Numb. But Pearl Jam’s Eddie Vedder filled the gap beautifully as he sang the main vocal part on the song.

This was always going to be a long show. The longer it ran, the more money it could raise. And with a download of the event available for presale on iTunes heavily promoted throughout the event (another revenue stream) the organizers were maximizing on every opportunity to raise dollars.

So it was a shame when halfway through the website crashed and the phone lines were so overwhelmed they couldn’t connect. Who knows how many dollars waiting to be pledged didn’t get through.

Waters was followed by Eric Clapton, and it was at this point that remarks about the age of performers began to flood the internet.

“Have to respect the passion Bruce brings to the stage!” said one. “Especially for being in his 60s. Sweet vest too.”

“Eric Clapton: the only 67-year-old who can rock the hipster glasses just as much as he rocks his guitar.”

Of course when the Stones came on to play a brisk two songs: You Got Me Rockin and Jumping Jack Flash (Opening line – “I was born in a crossfire hurricane”) Mick immediately joined in on the joke.

“This has to be the largest collection of old British musicians ever at Madison Square Garden,” he said.

“And if it rains in London you’ve got to come and help us out.”

The first AND ONLY woman to perform as a headliner – Alicia Keys – didn’t come on stage till almost three hours into the concert. She played for about 15 minutes, before things returned to normal with the advent of the Who’s Roger Daltrey and Pete Townshend (or Keith Moon as Brian Williams called him).

It’s a good thing neither Pete Townshend nor Roger Daltrey died before they got old, or else they would not have been able to rock Madison Square Garden tonight (Dec. 12). The Who put on a master class while rocking for a good cause, raising money for the Robin Hood Relief Fund to help victims of Hurricane Sandy.

Opening with ‘Who Are You,’ the Who then gave the crowd a dose of their current ‘Quadrophenia + More‘ tour with ‘Bell Boy,’ a lesser known track from their classic 1973 album. The band paid tribute to the late Keith Moon by including a video projection of him singing his rare vocal part on that song.

From there came ‘Pinball Wizard,’ with Townshend’s familiar opening power chords still thrilling after 43 years and showing no signs of age. They finished off a mini-set from ‘Tommy’ with the rock opera’s finale, ‘Listening to You.’

Two other classics followed, ‘Baba O’Riley’ and the showstopper, ‘Love Reign O’er Me,’ with Daltrey giving his most powerful vocal of the night and Townshend delivering a solo that summed up everything that makes him such a brilliant guitarist. They ended their set, surprisingly, not with one of their hits, but with ‘Tea and Theatre,’ the lovely acoustic closer of the ‘Wine & Glass’ mini-opera found on their 2006 album, ‘Endless Wire.’

If there was an issue one could have, it was that during their set, Daltrey’s began shedding layers of clothing to the point where his shirt was open. While the 68-year old remains in great shape for any age, some people were starting to miss the black turtleneck worn by Jon Bon Jovi earlier in the evening.

There followed the evening’s highlight for some and lowlight for others, as Daltrey bared his tan, very buff, hairless chest and kept it exposed as he sang. For a very long time.

The Who led into Kanye West dressed in a leather kilt who led to Long Island’s Billy Joel performing his iconic New York State of Mind as well as a bunch of his other greatest hits.

Then the Brits returned in the person of Chris Martin who sang an unplugged version of Viva La Vida before bringing Michael Stipe of R.E.M “out of retirement” to sing a low-key and moving Losing My Religion.

It was left to Sir. Paul. McCartney. (as Quentin Tarantino introduced him) to close the show. By the time he came onstage in extremely high-waisted jeans, we were on day two and it was well after midnight on 12-13-12.

“Thank you for STAYING,” said McCartney gratefully.

He sang Helter Skelter then Let Me Roll It followed by a song from his Wings portfolio before finally, at 12.50am, two hours and 35 minutes after the last one left, another woman came onstage. Diana Krall – an amazing talent. Not that you’d have known. Krall didn’t even get to sing. She briefly accompanied Macca on the piano for My Valentine before silently disappearing into the wings to be noisily replaced onstage by Nirvana.

Before I end I should mention that there was a healthy representation of comic talent punctuating the night. From Billy Crystal to Adam Sandler to Chris Rock to the cast of Saturday Night Live, they were there. But again, no female comedians took the stage. (Where were you, New York residents Tina Fey and Lena Dunham?) And the comedy was underwhelming and unfunny.

McCartney brought the house to its tearful feet with Live and Let Die as the tired audience looked around for their coats and bags. Around the world, other audiences got ready for bed or for work. A solitary firework exploded and rescue workers, police and firemen came on stage for their bows. Alicia Keys returned and surrounded by the real stars of hurricane Sandy sang Empire State of Mind.

It was the perfect finish.

reviewed by:

Emma Keller from guardian.co.uk & dave lifton from ultimateclassicrock.com

photo by: Larry Busacca, Getty Images

“He’s very persuasive,” Stipe says of Martin’s persistence to get him onstage for R.E.M.’s classic “Losing My Religion


taken from: fuse.tv

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