Tag Archive: django unchained


 

Michael Haneke

 

Jordan Strauss/Invision/AP

After several failed attempts, the director won the best foreign language film award for “Amour” as his home country had its best Oscar outing since 1961.

It’s been a long wait with several failed attempts, but Michael Haneke has finally won the best foreign language Oscar for his home country, Austria.

When Haneke’s Amour was named as the award winner Sunday night, it marked the end of a long struggle by the Austrian government to have Haneke’s films – many of which like Amour have been in French – accepted as properly Austrian in the eyes of the Academy.

Foreign language films can now be in any language other than English. Their nationality is determined by the creative force behind the film.

Read more here: http://bit.ly/YvM6B7

Alongside Haneke, that deep Austrian talent pool includes Vienna hometown hero Christoph Waltz, who took home his second best supporting actor Oscar Sunday for his role as German bounty hunter King Schultz in Quentin Tarantino‘s Django Unchained.

Two Austrian Oscars in one night – that hasn’t  happened since 1961, when Billy Wilder won three Oscars in a single year for The Apartment. The film took home the best picture, best director and best original screenplay honors that year.

 

After about six months of buzz, noise, gripes, campaigning, smearing and whatnot, the 85th Academy Awards are finally here. It’s been a long and eventful season and one of the most interesting in recent years if only because the winners weren’t locked up in advance like “The Artist” last year. In fact, it’s been one of the most up and down, surprising seasons in an age. “Argo” took the buzz early on in Telluride, “Silver Linings Playbook” took the baton after that in Toronto when it won the coveted Audience Award and then “Zero Dark Thirty,” “Lincoln” and “Life of Pi” entered the fray later in the fall and changed everything (remember when everyone thought “Les Misérables” would be the frontrunner after those reports of audiences crying and cheering?). But the “Argo” groundswell started to mount late in the game after director Ben Affleck was snubbed by the Academy during the nominations and the ground started moving under everyone’s feet again.

Read more about Oscars here: http://bit.ly/YqxuoM

Best Picture
“Amour”
WINNER: “Argo”
“Beasts Of The Southern Wild”
“Django Unchained”
“Les Misérables”
“Life Of Pi”
“Lincoln”
“Silver Linings Playbook”
“Zero Dark Thirty”

Best Director
Michael Haneke – “Amour”
Benh Zeitlin – “Beasts Of The Southern Wild”
WINNER: Ang Lee – “Life Of Pi”
Steven Spielberg – “Lincoln”
David O. Russell – “Silver Linings Playbook”

Best Actor In A Leading Role
Denzel Washington – “Flight”
Hugh Jackman – “Les Misérables”
Daniel Day-Lewis – “Lincoln”
Joaquin Phoenix – “The Master”
Bradley Cooper – “Silver Linings Playbook”

Best Actress In A Leading Role
Emmanuelle Riva – “Amour”
Quvenzhane Wallis – “Beasts Of The Southern Wild”
Naomi Watts – “The Impossible”
Jennifer Lawrence – “Silver Linings Playbook”
Jessica Chastain – “Zero Dark Thirty”

Best Actor In A Supporting Role
WINNER: Christoph Waltz – “Django Unchained”
Robert De Niro – “Silver Linings Playbook”
Alan Arkin – “Argo”
Tommy Lee Jones – “Lincoln”
Philip Seymour Hoffman – “The Master”

Best Actress In A Supporting Role
WINNER: Anne Hathaway – “Les Misérables”
Sally Field – “Lincoln”
Amy Adams “The Master”
Helen Hunt – “The Sessions”
Jacki Weaver – “Silver Linings Playbook”

Best Original Screenplay
Michael Haneke – “Amour”
WINNER: Quentin Tarantino – “Django Unchained”
John Gatins – “Flight”
Wes Anderson & Roman Coppola – “Moonrise Kingdom”
Mark Boal – “Zero Dark Thirty”

Best Adapted Screenplay
WINNER: Chris Terrio – “Argo”
Lucy Alibar, Benh Zeitlin – “Beasts of the Southern Wild”
David Magee – “Life of Pi”
Tony Kushner – “Lincoln”
David O. Russell – “Silver Linings Playbook”

Best Foreign Language Film
WINNER: “Amour”
“Kon-Tiki”
“No”
“A Royal Affair”
“War Witch”

Best Animated Feature Film
WINNER: “Brave”
“Frankenweenie”
ParaNorman
“The Pirates! Band of Misfits”
“Wreck-It Ralph”

Best Original Song
“Before My Time” – “Chasing Ice”
“Pi’s Lullaby” – “Life of Pi”
“Suddenly” – “Les Miserables
“Skyfall” – “Skyfall”
“Everybody Needs a Best Friend” – “Ted”

Best Cinematography
WINNER: Claudio Miranda – “Life of Pi”
Seamus McGarvey – “Anna Karenina”
Robert Richardson – “Django Unchained”
Janusz Kaminski – “Lincoln”
Roger Deakins – “Skyfall”

Best Film Editing
WINNER: William Goldenberg – “Argo”
Tim Squyres – “Life of Pi”
Michael Kahn – Lincoln
Jay Cassidy and Crispin Struthers – “Silver Linings Playbook”
William Goldenberg, Dylan Tichenor – Zero Dark Thirty

Best Costume Design
WINNER: Jacqueline Durran – “Anna Karenina”
Paco Delgado – “Les Misérables”
Joanna Johnston – “Lincoln”
Eiko Ishioka – “Mirror Mirror”
Colleen Atwood – “Snow White and the Huntsman

Best Documentary Feature
WINNER: “Searching For Sugar Man”
“5 Broken Cameras”
“The Gatekeepers”
“How To Survive A Plague”
“The Invisible War”

Best Visual Effects
WINNER: “Life of Pi”
The Hobbit: An Unexpected Journey
“Marvel’s The Avengers”
“Prometheus”
“Snow White and the Huntsman”

Best Production Design
WINNER:Rick Carter, Jim Erickson, Peter T Frank – “Lincoln”
Sarah Greenwood, Katie Spencer – “Anna Karenina”
Dan Hennah, Ra Vincent, Simon Bright – “The Hobbit: An Unexpected Journey”
Eve Stewart – “Les Misérables”
David Gropman, Anna Pinnock – “Life of Pi”

Best Original Score
WINNER: Mychael Danna – “Life of Pi”
Dario Marianelli – “Anna Karenina”
Alexandre Desplat – “Argo”
John Williams – “Lincoln”
Thomas Newman – “Skyfall”

Best Make Up
WINNER: “Les Misérables”
“Hitchcock”
“The Hobbit: An Unexpected Journey”

Best Sound Editing
WINNER: (TIE) “Skyfall” and “Zero Dark Thirty”
“Argo”
“Django Unchained”
“Life of Pi”

Best Sound Mixing
WINNER: “Les Misérables”
“Argo”
“Life of Pi”
“Lincoln”
“Skyfall

Best Documentary Short Film
WINNER: “Inocente”
“Kings Point”
“Mondays At Racine”
“Open Heart”
“Redemption”

Best Animated Short
WINNER: “Paperman”
“Adam and Dog”
“Fresh Guacamole”
“Head Over Heels”
“Maggie Simpson In the Longest Daycare”

Best Live-Action Short Film
WINNER: “Curfew”
“Asad”
“Buzkashi Boys”
“Death of a Shadow”
“Henry”

 

With Quentin Tarantino‘s Django Unchained recently becoming the director’s most successful film at the worldwide box office, it’s only a matter of time before he completes his much-rumored final film in his unofficial revenge trilogy, which kicked of with Inglourious Basterds.

His Oscar-winning star Christoph Waltz stopped by Saturday Night Live to host this weekend and delivered a fun little short that changes history once again, but this time with the resurrection of Jesus, as Jordan Raup for thefilmstage.com reported. With Djesus Uncrossed, Waltz plays our “hero” and he’s joined by Ving Rhames, Brad Pitt, Samuel L. Jackson, buckets of blood and thankfully, no sign of a Tarantino cameo. Check it out the video here: http://bit.ly/XfBLgm

Al Pacino to Receive Honorary Award at L.A. Italia Festival

As part of the eighth annual Los Angeles, Italia-Film, Fashion and Arts Fest, renowned theater and film actor Al Pacino will be receiving the fest’s newest and highest honor: the Jack Valenti — L.A., Italia Legend Award.

Named after former MPAA president Jack Valenti, who helped pioneer the first movie ratings system, the award is set to be given each year to an Italian-American who “has made major contributions to the global motion pictures industry.”

Pacino will receive his award on Feb. 17 during the festival’s opening night ceremonies at the Chinese Theater in Hollywood. Jack Valenti’s daughter Courtenay, now a vice president of production at Warner Bros., will present the award.

Read more here: http://bit.ly/WQs1WE

written by mark rozeman for paste magazine

Quentin Tarantino’s ‘Killer Crow’ To Complete ‘Basterds’ and ‘Django’ Trilogy?

Iconic post-modern filmmaker Quentin Tarantino incorporated spaghetti western elements throughout his throwback Kung Fu revenge tale Kill Bill, followed by the Nazi-killing adventure Inglourious Basterds. How appropriate, then, that he should go on to create a proper homage to the genre with Django Unchained (read ourreview), which is currently stirring up the pot of controversy over its depiction of slavery and African-American history.

Now, the auteur is planning to round out his historical revenge fantasy trilogy with a final installment that likewise builds on Django by fully saluting the Blaxploitation genre – and incorporates Basterds‘ men-on-a-mission sub-genre inspiration – that could go under the title Killer Crow.

Earlier this month, Tarantino sat down for an interview with The Roots editor-in-chief and professor Henry Louis Gates Jr. Their discussion was focused on Django – including, cinematic traditions it draws from and the film’s depiction of slavery – but it began with the writer-director (and occasional actor) being asked “What’s next on the list of oppressors to off?”

Tarantino offered the following:

I don’t know exactly when I’m going to do it, but there’s something about this that would suggest a trilogy. My original idea for Inglourious Basterds way back when was that this [would be] a huge story that included the [smaller] story that you saw in the film, but also followed a bunch of black troops, and they had been f–ked over by the American military and kind of go apes–t. They basically — the way Lt. Aldo Raines (Brad Pitt) and the Basterds are having an “Apache resistance” — [the] black troops go on an Apache warpath and kill a bunch of white soldiers and white officers on a military base and are just making a warpath to Switzerland.

What’s interesting about this proposition is that such a film would indeed build on the themes of Django, which (in its own Tarantino-esque way) is about the birth of the archetypal Blaxploitation protagonist. Quite literally, as Tarantino revealed at Comic-Con that he imagined the eponymous character (Jamie Foxx) and his wife Broomhilda von Shaft (Kerry Washington) to be John Shaft’s ancestors. Therefore,Killer Crow would explore the next stage in the (pseudo-)history of Blaxploitation cinema, while also bringing things full circle to the WW II setting of Basterds:

So that was always going to be part of it. And I was going to do it as a miniseries, and that was going to be one of the big storylines. When I decided to try to turn it into a movie, that was a section I had to take out to help tame my material. I have most of that written. It’s ready to go; I just have to write the second half of it.

Tarantino added that such a project would be called Killer Crow (“or something like that”) and unfold after the Normandy invasion in 1944, concurrent with Basterds. Moreover, he indicated some of the Basterds could make an appearance since the two stories immediately overlap. Who knows, maybe one of Django’s descendants will be among the character ranks, lending further credence to the popular unified QT universe theory.

Jamie Foxx in Quentin Tarantino's Django Unchained

Jamie Foxx is ‘Django Unchained’

Django has incited outrage for reasons ranging from the savage nature of its world to its anachronistic mix of elements, be it the soundtrack or visual shout-outs to other films. Of course, the heavy use of racial epithets continues to prompt anger from prominent black artists like Spike Lee (who’s bound to have something to say about QT planning a film about black soldiers in WW II, following his own projectMiracle at St. Anna).

Here’s what Tarantino said, with regard to Django‘s portrayal of history:

Well, you know if you’re going to make a movie about slavery and are taking a 21st-century viewer and putting them in that time period, you’re going to hear some things that are going to be ugly, and you’re going see some things that are going be ugly. That’s just part and parcel of dealing truthfully with this story, with this environment, with this land. Personally, I find [the criticism] ridiculous. Because it would be one thing if people are out there saying, “You use [the n-word] much more excessively in this movie than it was used in 1858 in Mississippi.” Well, nobody’s saying that. And if you’re not saying that, you’re simply saying I should be lying. I should be watering it down. I should be making it more easy to digest.

No, I don’t want it to be easy to digest. I want it to be a big, gigantic boulder, a jagged pill and you have no water.

Indeed, the evolution of that derogatory term (and the culture of discrimination it symbolizes) has been quietly touched upon previously in Tarantino’s Pulp Fictionand Jackie BrownDjango shines an uncomfortable spotlight on the issue that makes it impossible to ignore. Expect Killer Crow to follow that trend – and keep the buzz (good and bad) circling Tarantino’s name once it finally sees the light of day.

For more insight about the research and thought process behind Django Unchained (which is now in theaters), check out The Root‘s full Tarantino interview.

Meanwhile, we’ll keep you posted on Killer Crow as the story develops.

 

-made by sandy schaefer for screenrant.com 

_django9

Django Unchained has released a final trailer, featuring a few new snippets of footage from Quentin Tarantino’s Deep South tale of revenge and redemption.

The new trailer includes a couple more looks at Kerry Washington’s character Broomhilde, the wife of Jamie Foxx’s Django, held captive by the villainous Calvin Candie (Leonardo DiCaprio).

There are also some new scenes between Django and his mentor Schultz (Christoph Waltz), as the older man readies his protégé for his new life a bounty hunter.

Take a look below…

As with most of the others that have gone before, the new trailer is impossibly cool, and gives a nice taste of the razor-sharp dialogue and note-perfect performances that really set the film apart. Meanwhile, giving a few extra scenes away matters less when you’re working with a 3 hour run-time.

Co-starring Don Johnson, Samuel L. Jackson and Walton GogginsDjango Unchained opens in the UK on 18 January 2012.

–words and image from george wales for totalfilm.com

 

Tarantino drops the needle

__tarantino-soundtracks

You know it well. Mia Wallace OD’s. Vincent Vega freaks out. Lance brings out the adrenaline shot and Vincent plunges the needle in her heart. But that’s not the needle we’re talking about.

The ‘needle drop’ is a term used in movies when popular music is laid on a scene in place of traditional score. Nobody knows this better than Quentin Tarantino. In an interview with Arts District, Tarantino explains his attention to detail when it comes to music in film.

“To me, my soundtracks work as two different things.  They work as a little shadow version of the movie itself. If you like the movie and you want to carry it around with you and not have to watch the story all the time but still get the feel and sense of it, they allow you to do that.”

“There was a time—back before there was video, DVD and all of that stuff—when the soundtrack was how you remembered a movie.”

Tarantino talked to The Guardian about how he starts the process of choosing the right music for each film.

“More or less the way my method works is you have got to find the opening credit sequence first. That starts it off from me. I find the personality of the piece through the music that is going to be in it… Once I know I want to do something, then it is a simple matter of me diving into my record collection and finding the songs that give me the rhythm of my movie. I find the personality of the piece through the music that is going to be in it.”

Listen to Tarantino’s soundtracks on iTunes and let us know which is your favorite in the comments below.
Reservoir Dogs (Original Soundtrack)
Pulp Fiction (Original Soundtrack)
Jackie Brown (Original Soundtrack)
Kill Bill, Vol. 1 (Original Soundtrack)
Kill Bill, Vol. 2 (Original Soundtrack)
Death Proof (Original Soundtrack)
Inglourious Basterds (Original Soundtrack)
Django Unchained (Original Soundtrack)

Reservoir Dogs and Pulp Fiction are returning to theaters this December, as one-day commemorative events. For more details and ticket information, click here. The Tarantino XX: 8-Film Collection is in stores now. Pick up yours today.

 

— from miramax.com

Listen to Frank Ocean’s new song, “Wiseman”

_frank

As previously reported, our Artist of the Year Frank Ocean penned a new song for Quentin Tarantino’s film Django Unchained. However, the untitled ballad failed to make the final soundtrack, so tonight Frank let it loose on his Tumblr. He added, “django was ill without it.” Take a listen below.

Update: The song is called “Wiseman” — click here to see the lyrics.

Tarantino explained the song’s omission in an issued statement:

“Frank Ocean wrote a fantastic ballad that was truly lovely and poetic in every way, there just wasn’t a scene for it. I could have thrown it in quickly just to have it, but that’s not why he wrote it and not his intention. So I didn’t want to cheapen his effort. But, the song is fantastic, and when Frank decides to unleash it on the public, they’ll realize it then.”

Click the link to download: http://www.sharebeast.com/pfdaolu2142p]Wiseman.mp3

 

Photo from nappyafro.com article by Alex Young for consequenceofsound.net

Hollywood Foreign Press Association, 2013 Golden Globes Announcement

1.    BEST MOTION PICTURE – DRAMA

a.    ARGO
Warner Bros. Pictures, GK Films, Smokehouse Pictures; Warner Bros. Pictures

b.    DJANGO UNCHAINED
The Weinstein Company, Columbia Pictures; The Weinstein Company/Sony Pictures Releasing

c.    LIFE OF PI
Fox 2000 Pictures; Twentieth Century Fox

d.    LINCOLN
DreamWorks Pictures, Twentieth Century Fox; Touchstone Pictures

e.    ZERO DARK THIRTY
Columbia Pictures and Annapurna Pictures; Sony Pictures Releasing

2.    BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA

a.    Jessica Chastain     ZERO DARK THIRTY

b.    Marion Cotillard    RUST AND BONE

c.    Helen Mirren    HITCHCOCK

d.    NAOMI WATTS     THE IMPOSSIBLE

e.    Rachel Weisz     THE DEEP BLUE SEA

3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

a.    Daniel Day-Lewis     LINCOLN

b.    Richard Gere         ARBITRAGE

c.    JOHN HAWKES         THE SESSIONS

d.    Joaquin Phoenix     THE MASTER

e.    Denzel Washington FLIGHT

4.    BEST MOTION PICTURE – COMEDY OR MUSICAL

a.    THE BEST EXOTIC MARIGOLD HOTEL
Blueprint Pictures/Participant Media; Fox Searchlight Pictures

b.    LES MISERABLES
Universal Pictures, A Working Title Films/Cameron Mackintosh Productions; Universal Pictures

c.    MOONRISE KINGDOM
Indian Paintbrush; Focus Features

d.    SALMON FISH IN GIN THE YEMEN
CBS Films; CBS Films

e.    SILVER LININGS PLAYBOOK
The Weinstein Company; The Weinstein Company

5.    BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL

a.    Emily Blunt         SALMON FISHING IN THE YEMEN

b.    Judi Dench             THE BEST EXOTIC MARIGOLD HOTEL

c.    Jennifer Lawrence  SILVER LININGS PLAYBOOK

d.    Maggie Smith         QUARTET

e.    Meryl Streep         HOPE SPRINGS

6. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL

a.    Jack Black             BERNIE

b.    BRADLEY COOPER     SILVER LININGS PLAYBOOK

c.    Hugh Jackman         LES MISERABLES

d.    Ewan McGregor     SALMON FISHING IN THE YEMEN

e.    Bill Murray         HYDE PARK ON HUDSON

7.    BEST ANIMATED FEATURE FILM

a.    BRAVE
Walt Disney Pictures, Pixar Animation Studios; Walt Disney Pictures

b.    FRANKENWEENIE
Walt Disney Pictures; Walt Disney Pictures

c.    HOTEL TRANSYLVANIA
Columbia Pictures / Sony Pictures Animation; Sony Pictures Releasing

d.    RISE OF THE GUARDIANS
DreamWorks Animation LLC; Paramount Pictures

e.    WRECK-IT RALPH
Walt Disney Pictures, Walt Disney Animation Studios; Walt Disney Pictures

8.    BEST FOREIGN LANGUAGE FILM

a.    AMOUR (AUSTRIA)
Les Films Du Losange, X Filme Creative Pool, Wega Film; Sony Pictures Classics

b.    AROYALAFFAIR (DENMARK)
(En kongelig affære) 
Zentropa Entertainment; Magnolia Pictures

c.    THE INTOUCHABLES (FRANCE)
(Les Intouchables) 
The WeinstenCompany, Quad Productions, Gaumont, TF1 Films Production, Ten Films, Chaocorp; The Weinstein Company

d.    KON-TIKI (NORWAY/UK/DENMARK)
Nordisk Film Production, Recorded Picture Company; The Weinstein Company

e.    RUST AND BONE (FRANCE)
(De rouille et d’os) 
Page 114, Why Not Productions; Sony Pictures Classics

9. BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE

a.    Amy Adams             THE MASTER

b.    Sally Field             LINCOLN

c.    Anne Hathaway     LES MISERABLES

d.    Helen Hunt         THE SESSIONS

e.    Nicole Kidman         THE PAPERBOY

10. BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE

a.    Alan Arkin                 ARGO

b.    Leonardo DiCaprio         DJANGO UNCHAINED

c.    Philip Seymour Hoffman  THE MASTER

d.    Tommy Lee Jones          LINCOLN

e.    Christoph Waltz         DJANGO UNCHAINED

11. BEST DIRECTOR – MOTION PICTURE

a.    Ben Affleck             ARGO

b.    Kathryn Bigelow         ZERO DARK THIRTY

c.    Ang Lee                 LIFE OF PI

d.    Steven Spielberg         LINCOLN

e.    Quentin Tarantino         DJANGO UNCHAINED

12. BEST SCREENPLAY – MOTION PICTURE

a.    Mark Boal                 ZERO DARK THIRTY

b.    Tony Kushner             LINCOLN

c.    David O. Russell         SILVER LININGS PLAYBOOK

d.    Quentin Tarantino         DJANGO UNCHAINED

e.    CHRIS TERRIO             ARGO

13. BEST ORIGINAL SCORE – MOTION PICTURE

a.    MYCHAEL DANNA         LIFE OF PI

b.    Alexandre Desplat     ARGO

c.    Dario Marianelli         ANNA KARENINA

d.    TOM TYKWER,            CLOUD ATLAS

e.     JOHNNY KLIMEK,

f.    REINHOLD HEIL

g.    John Williams             LINCOLN

14. BEST ORIGINAL SONG – MOTION PICTURE

a.    “FOR YOU” — ACT OF VALOR
Music by: Monty Powell, Keith Urban Lyrics by: Monty Powell, Keith Urban

b.    “NOT RUNNING ANYMORE”—STAND UP GUYS
Music by: Jon Bon Jovi Lyrics by: Jon Bon Jovi

c.    “SAFE & SOUND” — THE HUNGER GAMES
Music by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett Lyrics by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett

d.    “SKYFALL”—SKYFALL
Music by: Adele, Paul Epworth Lyrics by: Adele, Paul Epworth

e.    “SUDDENLY” — LES MISERABLES
Music by: Claude-Michel Schonberg
Lyrics by: Alain Boublil, Claude-Michel Schonberg

15. BEST TELEVISION SERIES – DRAMA

a.    BREAKING BAD
AMC 
Sony Pictures Television

b.    BOARDWALK EMPIRE
HBO 
Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment

c.    DOWNTON ABBEY: SEASON 2
PBS 
A Carnival / Masterpiece Co-Production

d.    HOMELAND
SHOWTIME 
SHOWTIME, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21

e.    THE NEWSROOM
HBO 
HBO Entertainment

16. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA

a.    CONNIE BRITTON                 NASHVILLE

b.    Glenn Close                 DAMAGES

c.    Claire Danes                 HOMELAND

d.    MICHELLE DOCKERY             DOWNTON ABBEY: SEASON 2

e.    Julianna Margulies          THE GOOD WIFE

17. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA

a.    Steve Buscemi                 BOARDWALK EMPIRE

b.    Bryan Cranston              BREAKING BAD

c.    Jeff Daniels                 THE NEWSROOM

d.    Jon Hamm                      MAD MEN

e.    Damian Lewis                 HOMELAND

18. BEST TELEVISION SERIES – COMEDY OR MUSICAL

a.    THE BIG BANG THEORY
CBS 
Chuck Lorre Productions, Inc. in association with Warner Bros. Television

b.    EPISODES
SHOWTIME 
SHOWTIME, Hat Trick Productions, Crane Klarik Productions

c.    GIRLS
HBO 
Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment

d.    MODERN FAMILY
ABC 
Levitan-Lloyd Productions in association with Twentieth Century Fox Television

e.    SMASH
NBC

19. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – COMEDY OR MUSICAL

a.    ZOOEY DESCHANEL                     NEW GIRL

b.    Julia Louis-Dreyfus                 VEEP

c.    LENA DUNHAM                         GIRLS

d.    Tina Fey                                 30 ROCK

e.    Amy Poehler                         PARKS AND RECREATION

20. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL

a.    Alec Baldwin                         30 ROCK

b.    Don Cheadle                         HOUSE OF LIES

c.    LOUIS C.K.                             LOUIE

d.    Matt LeBlanc                         EPISODES

e.    Jim Parsons                             THE BIG BANG THEORY

21. BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

a.    GAME CHANGE
HBO 
Playtone and Everyman Pictures in association with HBO Films

b.    THE GIRL
HBO 
A Wall to Wall, Warner Bros Entertainment GmbH, Moonlighting and BBC Production in association with HBO Films

c. HATFIELDS & MCCOYS 
HISTORY Thinkfactory Media in association with History

d.    THE HOUR
BBC AMERICA 
Kudos Film and Television/BBC America co-production

e.    POLITICAL ANIMALS
USA NETWORK Berlanti Productions and Laurence Mark Productions in association with Warner Horizon Television

22. BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

a.    Nicole Kidman                     HEMINGWAY & GELLHORN

b.    Jessica Lange                     AMERICAN HORROR STORY: ASYLUM

c.    SIENNA MILLER                     THE GIRL

d.    Julianne Moore                 GAME CHANGE

e.    Sigourney Weaver                  POLITICAL ANIMALS

23. BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

a.    Kevin Costner                     HATFIELDS & MCCOYS

b.    BENEDICT CUMBERBATCH              SHERLOCK (MASTERPIECE)

c.    Woody Harrelson                 GAME CHANGE

d.    TOBY JONES                         THE GIRL

e.    Clive Owen                         HEMINGWAY & GELLHORN

24. BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

a.    HAYDEN PANETTIERE                 NASHVILLE

b.    ARCHIE PANJABI                     THE GOOD WIFE

c.    Sarah Paulson                     GAME CHANGE

d.    Maggie Smith                     DOWNTON ABBEY: SEASON 2

e.    Sofia Vergara                      MODERN FAMILY

25. BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

a.    MAX GREENFIELD                 NEW GIRL

b.    Ed Harris                         GAME CHANGE

c.    DANNY HUSTON                     MAGIC CITY

d.    Mandy Patinkin                 HOMELAND

e.    Eric Stonestreet                 MODERN FAMILY

 

The Critics’ Choice Awards are bestowed annually by the Broadcast Film Critics Association to honor the finest in cinematic achievement. Nominees are selected by written ballots in a week-long voting period, and are announced in December. The winners are revealed at the annual Critics’ Choice Awards ceremony in January. The awards are currently broadcast live on the VH1 television network. The 2006, 2007, 2008 and 2009 Awards were at the Santa Monica Civic Auditorium, the 2010 event—renamed The Critics’ Choice Movie Awards—was held at the refurbished historic Hollywood Palladium on January 15, 2010. Special awards are given out at the discretion of the BFCA Board of Directors.

The Broadcast Film Critics Association prides itself on its ability to anticipate Academy Award nominations: between 1997 and 2004, the Critics’ Choice nominations predicted all but two of 35 Academy Award nominations for Best Picture. By comparison, the Golden Globe Awards were three times more likely to differ during the same period.[citation needed] However, the fact that the BFCA—which typically nominates nine or ten films for Best Film—chooses more than the five nominations of the Academy Awards and Golden Globes may account for some of this greater predictive power. The nominations for the 2013 awards will be announced on December 11, 2012.

The Broadcast Film Critics Association (BFCA) has announced the nominees for the 18th annual Critics’ Choice Movie Awards. The winners will be announced live at the Critics’ Choice Movie Awards ceremony on Thursday, January 10, 2013 from the Barker Hangar in Santa Monica, Calif. The show will broadcast live on The CW Network at 8:00 PM ET/PT.

Lincoln led the way, receiving a record 13 nominations, including Best Picture, while Les Misérables was next with 11, followed by Silver Linings Playbook with 10.

Here is a complete list of our nominees:

BEST PICTURE
Argo
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi
Lincoln
The Master
Moonrise Kingdom
Silver Linings Playbook
Zero Dark Thirty

BEST ACTOR
Bradley Cooper – Silver Linings Playbook
Daniel Day-Lewis – Lincoln
John Hawkes – The Sessions
Hugh Jackman – Les Miserables
Joaquin Phoenix – The Master
Denzel Washington – Flight

BEST ACTRESS
Jessica Chastain – Zero Dark Thirty
Marion Cotillard – Rust and Bone
Jennifer Lawrence – Silver Linings Playbook
Emmanuelle Riva – Amour
Quvenzhane Wallis – Beasts of the Southern Wild
Naomi Watts – The Impossible

BEST SUPPORTING ACTOR
Alan Arkin – Argo
Javier Bardem – Skyfall
Robert De Niro – Silver Linings Playbook
Philip Seymour Hoffman – The Master
Tommy Lee Jones – Lincoln
Matthew McConaughey – Magic Mike

BEST SUPPORTING ACTRESS
Amy Adams – The Master
Judi Dench – Skyfall
Ann Dowd – Compliance
Sally Field – Lincoln
Anne Hathaway – Les Miserables
Helen Hunt – The Sessions

BEST YOUNG ACTOR/ACTRESS
Elle Fanning – Ginger & Rosa
Kara Hayward – Moonrise Kingdom
Tom Holland – The Impossible
Logan Lerman – The Perks of Being a Wallflower
Suraj Sharma – Life of Pi
Quvenzhane Wallis – Beasts of the Southern Wild

BEST ACTING ENSEMBLE
Argo
The Best Exotic Marigold Hotel
Les Miserables
Lincoln
Moonrise Kingdom
Silver Linings Playbook

BEST DIRECTOR
Ben Affleck – Argo
Kathryn Bigelow – Zero Dark Thirty
Tom Hooper – Les Miserables
Ang Lee – Life of Pi
David O. Russell – Silver Linings Playbook
Steven Spielberg – Lincoln

BEST ORIGINAL SCREENPLAY
Quentin Tarantino – Django Unchained
John Gatins – Flight
Rian Johnson – Looper
Paul Thomas Anderson – The Master
Wes Anderson & Roman Coppola – Moonrise Kingdom
Mark Boal – Zero Dark Thirty

BEST ADAPTED SCREENPLAY
Chris Terrio – Argo
Tony Kushner – Lincoln
David O. Russell – Silver Linings Playbook
David Magee – Life of Pi
Stephen Chbosky – The Perks of Being a Wallflower

BEST CINEMATOGRAPHY
Life of Pi – Claudio Miranda
Lincoln – Janusz Kaminski
Les Miserables – Danny Cohen
The Master – Mihai Malaimare Jr.
Skyfall – Roger Deakins

BEST ART DIRECTION
Anna Karenina – Sarah Greenwood/Production Designer, Katie Spencer/Set Decorator
The Hobbit – Dan Hennah/Production Designer, Ra Vincent & Simon Bright/Set Decorators
Les Miserables – Eve Stewart/Production Designer, Anna Lynch-Robinson/Set Decorator
Life of Pi – David Gropman/Production Designer, Anna Pinnock/Set Decorator
Lincoln – Rick Carter/Production Designer, Jim Erickson/Set Decorator

BEST EDITING
Argo – William Goldenberg
Les Miserables – Melanie Ann Oliver, Chris Dickens
Life of Pi – Tim Squyres
Lincoln – Michael Kahn
Zero Dark Thirty – William Goldenberg, Dylan Tichenor

BEST COSTUME DESIGN
Anna Karenina – Jacqueline Durran
Cloud Atlas – Kym Barrett, Pierre-Yves Gayraud
The Hobbit – Bob Buck, Ann Maskrey, Richard Taylor
Les Miserables – Paco Delgado
Lincoln – Joanna Johnston

BEST MAKEUP
Cloud Atlas
The Hobbit
Les Miserables
Lincoln

BEST VISUAL EFFECTS
The Avengers
Cloud Atlas
The Dark Knight Rises
The Hobbit
Life of Pi

BEST ANIMATED FEATURE
Brave
Frankenweenie
Madagascar 3
ParaNorman
Rise of the Guardians
Wreck-It Ralph

BEST ACTION MOVIE
The Avengers
The Dark Knight Rises
Looper
Skyfall

BEST ACTOR IN AN ACTION MOVIE
Christian Bale – The Dark Knight Rises
Daniel Craig – Skyfall
Robert Downey Jr. – The Avengers
Joseph Gordon-Levitt – Looper
Jake Gyllenhaal – End of Watch

BEST ACTRESS IN AN ACTION MOVIE
Emily Blunt – Looper
Gina Carano – Haywire
Judi Dench – Skyfall
Anne Hathaway – The Dark Knight Rises
Jennifer Lawrence – The Hunger Games

BEST COMEDY
Bernie
Silver Linings Playbook
Ted
This Is 40
21 Jump Street

BEST ACTOR IN A COMEDY
Jack Black – Bernie
Bradley Cooper – Silver Linings Playbook
Paul Rudd – This Is 40
Channing Tatum – 21 Jump Street
Mark Wahlberg – Ted

BEST ACTRESS IN A COMEDY
Mila Kunis – Ted
Jennifer Lawrence – Silver Linings Playbook
Shirley MacLaine – Bernie
Leslie Mann – This Is 40
Rebel Wilson – Pitch Perfect

BEST SCI-FI/HORROR MOVIE
Cabin in the Woods
Looper
Prometheus

BEST FOREIGN LANGUAGE FILM
Amour
The Intouchables
A Royal Affair
Rust and Bone

BEST DOCUMENTARY FEATURE
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man
The Central Park Five
West of Memphis

BEST SONG
“For You” – performed by Keith Urban/written by Monty Powell & Keith Urban – Actor of Valor
“Skyfall” – performed by Adele/written by Adele Adkins & Paul Epworth – Skyfall
“Still Alive” – performed by Paul Williams/written by Paul Williams – Paul Williams Still Alive
“Suddenly” – performed by Hugh Jackman/written by Claude-Michel Schonberg & Alain Boublil & Herbert Kretzmer – Les Miserables
“Learn Me Right” – performed by Birdy with Mumford & Sons/written by Mumford & Sons – Brave

BEST SCORE
Argo – Alexandre Desplat
Life of Pi – Mychael Danna
Lincoln – John Williams
The Master – Jonny Greenwood
Moonrise Kingdom – Alexandre Desplat

 

 

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