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Lauren Maffeo from thenextweb.com suggest 30 apps for Android, iPhone and iPad to get your fingers moving. You may read here for complete reviews http://tnw.co/XdUF7m

Android

Audiotool Sketch

From drum machines to bass lines, this sound sequencing app emulates three various devices. Tempo changes and pattern switches aid the multi-touch ability to control each device’s output signal. And since Audiotool Sketch is built around the same audio engine as Audiotool, full power audio’s a given. ($3.99)

Sketch 30 top apps for making music on your mobile device

AutoRap

Autorap 220x272 30 top apps for making music on your mobile deviceDoes your inner Hova need a hug? AutoRap corrects bad rapping by matching spoken syllables to any beat, using Smule’s “rappification” technology to let you create your own original raps or AutoRap from a Premium Songs Catalogue including Tupac and the Beastie Boys. Visualizations match the beat of your raps, and sharing capabilities via email, Facebook and Twitter let you share your glory with the world. (Free)

Beat Maker App Download

A programmable, customized drum machine, ability to create beats while playing with songs live and pattern based music composition let you set drum instrumentals to a rap, rock or hip hop beat. ($3.99)

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Electric Drum Machine/Sampler

Real time playback and editing features erase the need to wait for sound prior to editing.  Ability to save and load custom drumkits also makes this beat composer ideal for live performances or solo samplers. ($3.99)

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Magic Piano

A catalogue of ivory ticklers-updated daily-guides you through the notes, rhythm and tempo of each piece while giving you ultimate control by touching beams of light. Sharing capabilities on platforms including Facebook and Google+ mean your personal rendition of “Ave Maria” or “Call me Maybe” could soon be the world’s to hear. (Free)

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Music Matrix

Inspired by Yamaha Tenori On, this integrated cloud-based sharing system offers 8 pages of 16×16 music sequencer matrix. Various lead instruments and flexible Scale & Key alterations let you merge notes with various instruments and percussions to design your very own music and ringtones. And if you want to sell the app with your name and company logo included, give them a ring! ($1.26)

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Poweramp Music Player

unnamed4 220x366 30 top apps for making music on your mobile deviceThis comprehensive music player supports files including MP3, WAV, WMA and more, while key features such as crossfade, lyrics/files support and mono mixing make it THE Android music player.

($3.99)

Ringtone Maker

unnamed6 220x366 30 top apps for making music on your mobile device“Drag-n-drop” editing controls, fine-tuning options and support by audio formats such as MP3 allow anyone to create a custom ringtone up to 40 seconds long. An upgrade to Ringtone Maker Pro costs $0.99 cents and removes adverts.

Facing facts, there are loads of these ringtone creation apps on Google Play. But Ringtone Maker is one of the old stalwarts on the block and it’s been tearing up the charts for ages. It has already crossed the 40 million install mark. Reviews say that it’s still one of the best out there, though a recent update appears to have removed the ability to fade out the end of a track.

(Free)

Songify

Life is like a song — at least with Songify.

Simply speaking into the app currently downloaded by 9 million worldwide users enables Smule-invented technology that turns speech into music. This official app of famed auto tuners the Gregory Brothers (known for auto-tuning already viral videos into such musical art as “Backin Up Song (feat. Diana)” and “Bed Intruder Song”) allows you to make your own kind of music-even if nobody else sings along. (Free)

Ultimate Guitar Tabs

With a collection of 400,000 tabs to choose from-the world’s largest database-you can learn and practice your favorite songs on the go. Adding tabs to your Favorites makes them available for offline browsing, while various Top 100 Tabs lists help you organize by bass, chords and more. In-app bonus: Tab Note, an add-on, offers access to more than 150,000 interactive tabs. ($2.99; Tab Pro available in-app for $3.99)

iPhone

BeatMaker 2

If 128 trigger pads aren’t enough, the chop lab, “live” modes and mixer console may pique your interest. Version 2.4.2 includes added iTunes file sharing and has fixed the note repeat feature. ($19.99)

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FingerPiano

No score? No worries. Scrolling guides across the screen offer 88 pieces of famous music to try, with songs designated for play either with one or both hands. ($1.99)

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GarageBand

GarageBand turns iOS collections into full recording studios, whether you’re a pro or have never played a note. The multi-touch keyboard, acoustic and electronic drum kits and instrument creation from the sounds made on your keyboard all let you play your iPad, iPhone or iPod touch like a literal instrument. A stroke of the finger on Smart Strings lets you conduct a string orchestra, and you can use your iOS device to play or record music live with up to three friends. ($1.29)

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Gigbaby!

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Even rehearsal’s gone digital. Whether karaoke or remixes fit your taste, Gigbaby! uses network sharing to exchange audio tracks with anyone-even if the tracks are incomplete. Each group member can record their own tracks, then swap them to compose a whole song.

It’s a bit of a play along how producers have shared partial tracks with each other for years. Whether they use something like AOL Instant Messenger, Skype or even Soundcloud, the collaboration methods have led to some of the greatest tracks in history.

($0.99)

MusiXmatch Lyrics

Missing a lyric? This database of lyrics for more than six million songs will keep you up to speed. You can also browse UK/US hits and watch their videos on YouTube. Bonus for Windows 8 lovers: MusiXmatch is offered on this system, as well as on Android. (Free)

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NanoStudio

Virtual analogue synthesizer? Sample trigger pads? When musical genius strikes, these features and more make NanoStudio a gem to have on the go. Compose and arrange your music in real time, then share it on SoundCloud on or away from your desktop. A “16 Instrument” in-app purchase enhances the experience for newer devices, while highly optimized chorus and bitcrusher effects let you run several at once. ($14.99)

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Figure by Propellerhead 

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The morning commute livens when you can play drums with your fingers. Those drums, (powered by Reason’s Kong drum machine), plus bass and lead parts that use Reason’s Thor synthesizer, make music with ease on the iPhone4 or higher.

Propellerhead is a long-time name in the music industry. The included drum samples are second to none, and the ability to record your samples then mix them with other tracks when you get back home is a great selling point.

($0.99)

TableDrum

Augmented reality will be big in years to come. In the world of music apps, TableDrum leads the way now. Syncing the sound of any object offers a real time response of drum sounds, which then link to your choice of high quality drum sounds. For a bridge between digital/physical worlds, this one’s a winner. ($0.99)

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Voice Jam

Many musical apps are renowned for instrumentals; this one makes your voice the instrument. A powerful audio looper records sounds while playing them back in a repeating loop. And since VoiceJam was designed as a live performance tool, you can harmonize, add rhythms with your voice and perform/record a whole song from scratch. ($6.99)

Yamaha TNR-i

mzl.jzjhwguw.320x480 75 220x330 30 top apps for making music on your mobile deviceAn app that combines rhythm melody on the grid, Yamaha TNR-1 musically and visually “places” sounds based on intuition. Users can also play 16 tones simultaneously, and six different performance modes per layer (including Push Mode to change tones while performing and Draw Mode to play songs in response to your fingers) leave options open.

TNR-i is based off of an older instrument from Yamaha called the TENORI-ON. But with a new, multi-screen interface,  you can do much more with the digital version than the hardware would ever have allowed.

($19.99)

iPad

bleep!BOX

Samples? Not on this app. A custom iPad interface generates every sound in realtime, and offers 50+ synthesizers, eight waveforms and live performance modes. Also available on iPhone, you can load patterns made on your mobile and upload them to desktop via bleep!BOX Plugin. ($5.99)

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FL Studio Mobile HD

A virtual piano, 99 track sequencer and simultaneous 8 channel recording make this app ideal for creating and saving multi-track projects. Added bonus: ability to load FL Studio Mobile projects into the (sold separately) FL Studio Desktop PC version. ($19.99)

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Glitchamaphone

Feeling animated? Glitchamaphone lets you create and edit your own compositions using up to five animated characters playing various fun instruments. Various features, including animations and environmental effects, change in response to your musical style, while three varied settings/environments each offer their own sound. ($1.99, normally $2.99)

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IK Multimedia DJ Rig for iPad 

Music Radar’s Si Truss calls it one of the best iOS DJ apps out there. For professionals, this can’t be beat; multiple deck modes and controls, three crossfader curves and professional pitch control for BPM adjustments make this one a must. ($19.99).

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KORG iMS-20

A complete music production app, Korg MS-20 analog synth with patching capability works alongside a 16-step analog sequencer based on Korg’s SQ-10. iMS-20 offers dual Kaoss Pads that create music with one stroke, while a seven channel mixer creates 14 different master effects. ($29.99)

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Morphwiz

The second app from Jordan Rudess has earned accolades from Keyboard Magazine and the Billboard Music App Awards-and it’s not hard to see why. Users can assign audio waveforms, round note pitches and control octave shifts, amongst other features. And its basis on the Haken Continuum Fingerboard will satisfy experienced users on platforms from iOS to Windows 8. ($9.99)

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ReBirth for iPad

The Roland TB-303 bass synth, Roland TR-808 and 909 drum machines all in one app? Three key devices in the dance and rap music spheres use FX sequences, fully featured pattern sequencers, a Tempo-synced digital delay and more to create tracks so good, the built in sharing features will be a must. ($9.99)

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Scape

Bloom Creators Brian Eno and Peter Chilvers use Scape to make various sounds, processes and compositional rules react to one another, creating new music. 15 original scapes can be saved to a gallery, added to a playlist or shared by email. Call it the thinking man’s music maker. ($5.99)

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Studio Track

This app does for en route musicians what DJ Rid does for on-the-go DJs. WiFi synching, file import/export capabilities via email, stereo output meters and more make song recording away from your desktop a dream. ($19.99 for a limited time)

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touchABLE

Thinking about buying a controller for Live? Consider this app, where your finger navigates a live set and automaps tracks as well as parameters. No midi-mappings needed-toucABLE uses LiveOSC to communicate with the LiveAPI. And Dual-User-Mode lets you tweak the same set with two iPads. ($24.99)

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Public Enemy is an American hip hop group consisting of Chuck DFlavor FlavProfessor Griff and his S1W group, DJ Lord (DJ who replaced Terminator X in 1999), and Music Director Khari Wynn. Formed in Long IslandNew York, in 1982, Public Enemy is known for their politically charged lyrics and criticism of the American media, with an active interest in the frustrations and concerns of the African American community.

In 2004, Rolling Stone magazine ranked Public Enemy number 44 on its list of the Immortals: 100 Greatest Artists of All Time. Acclaimed Music ranks them the 29th most recommended musical act of all time and the highest hip-hop group. The group was inducted into the Long Island Music Hall of Fame in 2007. The band were announced as inductees for the 2013 class of the Rock and Roll Hall of Fame on December 11, 2012, making them the fourth hip-hop act to be inducted after Grandmaster Flash and the Furious FiveRun-DMC and the Beastie Boys.

The video is from his latest album The Evil Empire of Everything

 

Weezer – Blue Album (1994). A Peak At Their Debut.

If you grew up in 90’s and you’re into rock music. Try to make this list: 30 CD’s/cassettes to buy/listen/borrow/steal in the 90’s.  There must be Nevermind (Nirvana), Ten (Pearl Jam), Superunknown (Soundgarden), Rage Against The Machine (debut album), Black Album (Metallica), Melon Colie And The Infinite Sadness (The Smashing Pumpkins), Soundsystem (311), Use Your Illusion (Guns And Roses), The Downward Spiral (NIN), maybe Dummy (Portishead) and.. Blue Album from Weezer! Rite?

No? Well you have problems with your ears :p _weezer_-_blue_albumWhat has happened in 1994.

  • Nirvana played their final concert in Munich. Few weeks later he shot himself.
  • Frank Sinatra received the Grammy Awards Lifetime Achievement award.
  • Pink Floyd embarked on what would be their last world tour before their breakup. The record-breaking tour supported their Division Bell album, with the band playing to 5,500,000 people in 68 cities and grossing over £150,000,000.
  • Blur and Oasis started to invade USA
  • Green Day released Dookie album. Their masterpiece till now.
  • Adam Horovitz of the Beastie Boys is sentenced to 200 hours of community service for attacking a television cameraman during funeral services for actor River Phoenix in November 1993.
  • Pearl Jam filed a complaint against Ticketmaster with the U.S. Justice Department charging that the company has a monopoly on the concert ticket business.

You know that Buddy Holly music video directed by Spike Jonze (well known for film Being John Malkovich, Adaptation and also plenty of music videos). Remember Beastie Boys‘ Sabotage or Bjork’s It’s Oh So Quiet? I’ll stop here before i start blabbering  about him. That Buddy Holly video is one of the most anticipated video of the 90’s. Along with November Rain by Guns And Roses or maybe Smells Like Teen Spirit by Nirvana. Earned heavy rotation by MTV back then.

Weezer’s alt-rock godliness was of the likes no one had ever seen before. They were different. In the 80’s, it was all about partying, Girls Girls Girls, and hair. At the turn of the decade, it was all about anger, With The Lights Out, and grunge. Then it became laziness, Longview, and punk. So when Weezer came around, naturally the people who weren’t punks, partyers, or flannel wearing lumberjacks found their voice. Rivers Cuomo‘s simple yet effective songs became staples for every geeks collection. Bands since then have tried ripping off their geekiness (One geek band going so far as to be called Wheatus), but Weezer perfected the art of nerd long before the pretenders. When uncovering the lyrics behind the songs, you find happy little childhood dreams mixed with songs about girls and beer. Lines like “Wee-oo I look Just Like Buddy Holly. Oh-oh and you’re Mary Tyler Moore” became anthems for the whole generation. Rivers had the gift for turning a monologue of Hemingway quality into a rocking track. The 6/8 opener My Name Is Jonas is a track centered around some folkish finger picking. The literate rants are cut off midway through for a headbanging bridge thats just so random and funny. (sputnikmusic)

There have been very few albums that can change the face of music both culturally and musically. Weezer made it cool to be an honors student. Weezer made it cool to be a geek. But with Blue, Weezer made it cool to be all those things, and be rock stars. My only complaint is the upsettingly short ten songs. Weezer’s never been good at packing in the extras, but another few songs wouldn’t have killed the genius of the other 7 or 8 great songs on here. But in terms of musicianship, charm, songwriting, and cultural signifigance, Weezer’s debut album is the pinnacle of their career. Kinda sucks when you peak at your debut, eh? (sputnikmusic)

Rock Hall of Fame 2013 Inductees: Rush, Public Enemy, Heart & More

Public-Enemy-Irving-Plaza

Randy Newman‘s glad he didn’t have to do anything drastic to get into the Rock and Roll Hall of Fame. The members of Rush are choosing to let bygones be bygones. And Quincy Jones, well, he’s still mad.

For most of this year’s inductees, inclusion was a long time coming.

“I’m very happy,” the 69-year-old Newman said Monday from his home in Los Angeles. “I thought I’d have to die first, but I’m glad I’m around to see it.”

Newman is joined in the 2013 class by the eclectic group of rockers Rush and Heart, rap group Public Enemy, “Queen of Disco” Donna Summer and bluesman Albert King. Jones and his friend Lou Adler will enter the hall as Ahmet Ertegun Award winners for their contributions to rock beyond performance.

They will be inducted into the hall of fame April 18 in Los Angeles. The ceremony will mark the end of a long wait for fans of five of those six acts, who’ve been eligible for entry for some time. Public Enemy was inducted on i ts first ballot appearance, swelling the ranks of hip-hop entries.

In many ways, the 2013 class balances the scales, though not nearly soon enough for some new members.

“Well, it’s about time, man,” Jones said late Monday night in an interview from his home in Los Angeles. “But I promise you I’m not sitting around worrying about it.”

Summer, who passed away at age 63 in May, gains entry after six years as a nominee. King, a deep influence on Jimi Hendrix and Stevie Ray Vaughn who died in 1992, now takes his place along all the other legendary blues guitarists in the hall.

rush3

Rush, one of the most-played staples of classic rock radio, gained entry following its first appearance on the ballot. But the Canadian trio became eligible in 1998 and was repeatedly left off the list, to the great consternation of its legion of fans who cried bias against prog rock. Heart also waited a decade to make it on the ballot, gaining entry during its second appearance.

After years of disappointment, then disinterest, Rush’s Alex Lifeson said the band now feels “wonderful” about its entry into the hall and is especially happy for its followers.

“First of all it’s all water under the bridge and it was a very tiny bridge,” the 59-year-old guitarist said in a phone interview from his home in Toronto. “I think our fans are more upset than we were because they feel a real bond to this band and it’s been an important part of their lives in some form, and to be snubbed was snubbing them at the same time. … Perhaps there were times when I thought if this ever happens I’m not going to bother going, or who cares or whatever, but at the end of the day positive karma is an important thing and this is an important thing to a lot of our fans and people we know.”

Jones was less forgiving of the long wait he had. The 79-year-old entertainment icon’s fingerprints are all over the hall of fame. He pops up often at key moments in rock ‘n’ roll history and was even Ray Charles‘ presenter during the soul singer’s induction at the inaugural 1986 ceremony. He never expected to wait so long for his own entry.

“I was pissed off about it at first because I saw how it was going down and who was going in and who wasn’t,” Jones said with a deep laugh. “But I’m used to it, man. I’ve been around a long time, and I know how it works, you know. It’s still an honor, man.”

The 2013 class also continues the process of opening the hall of fame’s doors a little bit wider.

In many cases, the delayed entry of this year’s inductees had to do with a debate among its membership over the hall of fame’s direction. The rock ‘n’ roll family sits under a big tent, but just how big it should be has been a matter of debate for the Cleveland, Ohio, institution.

The class may signal a new direction.

“That is an eclectic group,” Newman said. “Well that’s nice. It seems like they’re broadening what they think rock ‘n’ roll is. That’s good. There’s no point being doctrinaire about music. … People get awful strict. It’s a hell of a thing to get strict about, isn’t it?”

There was clearly no debate among the hall’s membership about Public Enemy, which gained membership on its 25th anniversary.

The openly militant, always angry group helped elevate and define nascent rap in the 1980s and ’90s. MC Chuck D said the group’s induction is about more than simple membership.

“It’s a great piece of news for the genre and our intention was to spread the light that our music is as legitimate as any other music,” Chuck D said as the group traveled through Wyoming on tour Monday. ” … So this is significant to be alongside Grandmaster Flash and The Furious Five, Run DMC and the Beastie Boys and just to be able to say this accomplishment, we don’t think it’s solely due to us.”

Lifeson hopes the hall’s membership keeps up with the trend.

“Maybe it should be the Music Hall of Fame and not so much the Rock and Roll Hall of Fame,” Lifeson said. “But maybe it all is rock ‘n’ roll. It started as a little seed and grew into this great big tree with a lot of branches. That’s why it’s so sad the whole progressive movement, bands like Yes and King Crimson, are not included in this. And I hope one day that they are because they deserve to be in there way before we do. They were huge influences on us and so many other bands that have done fantastic work over the years. I know Deep Purple were up for this as well. It’s a little unfortunate that they didn’t make it in because they were extremely influential. I hope there comes a time when these other artists and bands are included because they were equally as influential as any of the ones that are being inducted today.”

Posted on Dec 11th 2012 2:30PM by The Associated Press

 

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