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Seven days left until the Oscars, and the final precursor awards roll out this weekend. Tonight sees the WGA Awards, and last night was the ACE Eddie Awards, run by the organization for film editors, and rewarding the best editing in cinema in 2012.

And we’re sure it won’t come as a huge surprise to you that “Argo” was the big winner of the night with the film’s cutter, William Goldenberg,  wrote Oliver Lyttelton for blogs.indiewire.com. Read more here: http://bit.ly/XfDzG8

While ‘Silver Linings’ is certainly an Oscar contender in many categories, it seems unlikely to be a real threat in the Editing category, so this seems to clear the way for Goldenberg to pick up the Academy Award (indeed, his closest competition is probably… himself, as co-editor with Dylan Tichenor of “Zero Dark Thirty.”).

BEST EDITED FEATURE FILM (DRAMATIC)
Argo
William Goldenberg, A.C.E.

BEST EDITED FEATURE FILM (COMEDY/MUSICAL)
Silver Linings Playbook
Jay Cassidy, A.C.E. and Crispin Struthers

BEST EDITED FEATURE FILM (ANIMATED)
Brave
Nicholas C. Smith, A.C.E. & Robert Grahamjones, A.C.E

BEST EDITED DOCUMENTARY (FEATURE):
Searching for Sugar Man
Malik Bendjelloul

BEST EDITED DOCUMENTARY (TELEVISION):
American Masters – Phil Ochs: There But For Fortune
Pamela Scott Arnold

BEST EDITED HALF-HOUR SERIES FOR TELEVISION:
Nurse Jackie: “Handle Your Scandal”
Gary Levy

BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:
Breaking Bad: “Dead Freight”
Skip MacDonald A.C.E.

BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:
The Newsroom: “We Just Decided To (Pilot)”
Anne McCabe, A.C.E.

BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
Hemingway & Gellhorn
Walter Murch, A.C.E.

BEST EDITED NON-SCRIPTED SERIES:
Frozen Planet: “Ends of the Earth”
Andy Netley & Sharon Gillooly

STUDENT COMPETITION
Michael Smith – AFI

 

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